In celebration of Ghana’s 68th Independence Day on 6th March 2025, aftown has teamed up with Church of Stories, to announce the global release of Goodbye, Gold Coast—an audio drama directed by Joewackle J. Kusi and written by Joewackle J. Kusi & Fui Can-Tamakloe.

Synopsis

A few hours to the emancipation of the Gold Coast, excitement and uncertainty about the future are rife. While some believe in the new Ghana, others hold reservations.

Goodbye, Gold Coast explores the different emotions of a city at the edge of freedom, depicted through the lives of Rose, a young teacher and her European lover, as they face a decision as important to them as the birth of a new nation.

About the Director: JOEWACKLE J. KUSI 

Joewackle J. Kusi is a multidisciplinary artist who uses eccentric visual storytelling, audio experimentation and unconventional writing to investigate how culture, history and social politics contribute to our lived identity. 

His unique perspective is particularly evident in his body of work, which includes thought – provoking  films on boyhood [Lucky  & Boys No Dey Cry], an evocative audio drama exploring Ghana’s independence [Goodbye Gold, Coast]. and a groundbreaking film [Nyame Mma]. The award winning short film has been selected and won awards at multiple international film festivals including; Cannes, BFI Flare,  Iris Prize, Film Africa, Xposed Film Festival,  Pan African Film Festival, FAME, Accra Indie Film Festival,  and is still in festival run.

Joewackle is a fellow of the 2024 International Sound Documentary Summer Program at Ecole Nationale Supérieure Louis-Lumière in France where he created L’avenir Est Deja Ici – a sound documentary about the rise of the far-right movement in Brest, France. 

He is the Founder of Church Of Stories – a production house telling nuanced, impactful and inclusive human stories. Beyond storytelling, he actively contributes to cultivating a thriving local cinema culture with Reel Fellowship. Reel Fellowship is a

Stream exclusively on Aftown Music for an unforgettable auditory experience. Listen here.

The announcement of the tour’s triumphant end was made through an Instagram Reel, capturing the energy and excitement of Taylor’s final concert. The video, captioned “What an incredible journey! Thank you to everyone who came out and made this tour unforgettable,” showcases moments from Taylor’s performances, highlighting his dynamic stage presence and the profound connection he shares with his audience.

Ebo Taylor’s musical journey spans over six decades, having started his career in the late 1950s. He has played a crucial role in shaping the highlife genre and influencing afrobeat, working alongside iconic figures such as Fela Kuti. His unique blend of traditional Ghanaian music with jazz, funk, and afrobeat rhythms has garnered him international acclaim.

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Throughout the tour, Taylor visited numerous cities, captivating audiences with his timeless music and vibrant performances. His ability to engage with fans and deliver electrifying shows has solidified his status as a legendary figure in the music world. Fans and critics alike have praised Taylor for his incredible talent and the unforgettable memories created during the tour.

As Taylor wraps up this chapter, the anticipation builds for what’s next in his illustrious career. Fans are eagerly awaiting new music and future performances from this musical icon, who continues to make waves in the industry. Taylor’s successful tour is a testament to his enduring legacy and his ability to inspire audiences around the world with his art.

The fresh new Ghanaian band, is a 15 band ensemble featuring two vocalists, 7 horns men, 1 percussionists, 3 drummers and a xylophonist. They’ve already been the centre of attention at the regular gigs they’ve played at numerous high profile events these past few months. The band is best known for playing breathtaking renditions of very popular afrobeats, pop, highlife, jazz and Amapiano songs from all across the world.

Stepping into the new year, the Kentos Band are set to work on they’re own projects with more frequent events starting with the upcoming gig with World Renowned  Major League DJz from South Africa. The event powered by Sky Bar 25 is set to thrill fans and establish the band as a must watch for 2022.

Worlasi’s 3rd studio album; WORLA – THE MAN & THE GOD, is a collaborative album with his day one band – SENKU; who WORLASI gives production & composition credits to. The 10 track album was recorded live. An album inspired by the great Ghanaian band OSIBISA — a vibe of native elements, comedic compositions & great musicianship through and through.

The listening session saw him perform 5 of the songs off the upcoming 10-track album scheduled for release on the 1st of December.

Worla’s sound continues to growth in depth. From the traditional elements, distinct lyrics, unique style of tap & song that keeps his verses sought after by many of his fellow artists. His native tongue; Ewe is still very dominant in the songs we heard with a few verses of pidgin laced in.

If this Listening is anything to go by, we’re all in for an incredible experience at his upcoming FESTIVAL scheduled for the 7th of December also at Alliance Francaise.

The album is Available for pre-order on aftown.com

The organization chose Ghana as it’s third destination in line with the Year Of Return and current buzz that comes with the attraction the city of Accra is getting.

Acces 2019 will take place from the 28th to the 30th of November. Three days of networking sessions, seminars & panel discussions, producer workshops, pitch sessions and concerts to thrill delegates on each night. Get the full schedule here .

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If you’re an artist or work in the music business Acess 2019 is for you! Meet festival organizers, journalists from across the world, music executives, distribution agents, record label representatives and so many others.

The experience-filled line Up if speakers includes Samini, Efya, Sarkodie, Sway & Banky W and others. Performers for the showcases include artists like Kyekyeku and the GHANA Logue Band, Arkan from Togo, Songhoy Blues from Mali, and Yaa Yaa from Ghana who was present at the press conference.

To participate you’d have to register via this link – musicinafrica.net/acces

See you there!

The maiden edition which was held at Alliance Francaise on Friday, had over 20 exhibitors showing their work of paintings & woodcraft as well as Sculpting & graffiti.  Some of the notable artists included, Andrew Tettey Arko, Edward Buxton, Midichi, Shika Odamtten, Bright Ackwerh, Hanson Akati, Majoree, Michael Bledo, Creamy Artwork, Enoch Fordjour, art students from Roman Ridge Amongst others.

The musical concert later that evening was definitely the highlight of the night. Opening acts Keeny-Ice , Makafui, Kobla Jnr & Yung Pabi shined with impressive performances with DJ Isaac Cool. Headline acts Epixode , Trigmatic, Akan, Manifest & Worlasi himself gave world-class performances backed by the Senku & Safoa Bands.

Already plans for Worlafest 2019 are set, with rumors of Sena Dagadu being the headline act. The vision is exciting & the inclusion of the artisans very laudable. Kudos to the organizers Creative Men & TIC Ghana. We look forward to 2019 with a lot of enthusiasm & hope for the creative arts industry.

Just last night she graced the stage of aftown music’s acoustic concert series, performing covers from Adele, Asa and her very popular rendition of Runtown’s ‘Mad Over You’. The audience loved it, but when it came to her own singles, what was supposed to be an acoustic concert turned into karaoke session! She had her fans singing word – for – word!

Nana Yaa topped it all with an exclusive listening session of 3 of the songs on her upcoming EP. Nope! She didn’t give a name for the project. Just the assurance that it would come out in August. She did however drop the names of a few of the features on the album. So far, we know of Edem, Kuame Eugene, Shaker, Gasmilla & FlowkingStone. From what we’ve heard, we can guarantee it’s going to be worth the wait. In the mean time, you can stream or download her music on aftownmusic.com. Download the app for android and iOS by clicking here www.efie.co/aft

Check out photos from the event below:

On his recent success on international platforms, from Budapest’s Summerjam, to Zurich and straight to Jamaica. – I asked him how he felt and what it meant to him:

Stonebwoy:  It’s an incredible feeling Antoine. I’m humbled and grateful by it and it means a lot not only for me but for Ghana. These stages I find myself on pave a path for other dancehall and reggae artists from Ghana. I go through a lot to get ready for this shows, musically and mentally, so when I deliver and it all goes well, I thank God for making it happen.  These shows are huge and require you to make a mark as an African artist. If only you knew what I’ve sacrificed to get this far. It hasn’t been easy, but the consistency and push is what’s got me here.

On the Jamaican media frenzy around his performance at ReggaeSumfest and presence in Jamaica. – I asked what he thought he did that’s got their attention and respect across board:

Stonebwoy: Everything came together to create that peak. My work and profile speaks for itself. The treatment comes with the level. These guys are really into reggae and dancehall, so they do they’ve done their research and seen the numbers. 17 appearances on the billboard 100 and the music I’ve been putting out and moves across the world, nominations and wins in the BETs. It’s not about the hype or that one hit song. A lot of work was put into this is and its good to see the respect and necessary attention it’s being given. Again very inspiring and encouraging experience for me.

On meeting Damian Marley and striking a chord of familiarity. – I asked how that must have felt being recognized by one of reggae music’s world best, if not the best:

Stonebwoy: It was an honor. Damian Marley I can say is like the Bob Marley of our time. It’s definitely a dream come true and a testament to the hard work and consistency I’ve put into my music. The connection started some time back when he produced a song for Kabaka Pyramid called borders which i featured on. One thing led to another into that time of meeting him. This is just the beginning, hopefully more doors open through this.

On the deal with Universal Music. – I asked him what exactly it means for him now and if it in any way affects his creative liberty and affects his deal with Zylofone Music.

Stonebwoy: Not at all. The deal with Zylofon still stands along with my creative liberties. What this deal is, is me licensing my music to Universal for global distribution. Of course, that gives us the advantage of further reach, resources and connects to get my music heard around the world. There will definitely be more collaborative efforts even with Universal, in the direction my music should take with regards to the targeted demographics, but that’s something that rather adds value to my music.

On taking Kelvinboy  along with him on this global platforms – I asked him how Kelvinboy was taking it:

Stonebwoy: He’s in a very good position you know. A lot of us starting out didn’t get that chance. I never had the chance to feature or perform on such big platforms starting out, but he does. It’s my hope that he leverages on this to do even bigger things and reach further than this.

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Stonebwoy ’s international recognition is a result of years of hard work, consistency and focus on building a global brand that would leave a legacy in the genre of dancehall and reggae music. Right after our interview he left for the States, after which he goes to Italy for another gig. I, and I’m sure a couple more thousand Stonebwoy fans stand proud with his progress. Wishing him nothing but the best in gigs to come and his new deal with Universal Music.

Step 1.
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Step 2.
On the top menu – click on –> Become an artist

Step 3.
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Submit the form and make payment.

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Account is usually approved within 24hrs.

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Here is a video on how to signup as an artists on aftownmusic

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In a move to bring artists closer to their fans, aftown has launched its own acoustic concert series, dubbed the aftown sessions. The aftown sessions seeks to bring together 100 + music lovers for an acoustic concert starring some of their favorite music acts.

The first aftown session comes off on Friday the 27th of July at the BBNZ Live Bar (Keta-Close, Nima). The concert will see Nana Yaa perform her hit singles (My Hunny, Don’t Leave Me Alone & Woman Power). We hear she just might premier some brand new music from a possible EP said to come out soon.

The aftown session with Nana Yaa is supported by DGN, BBNZ LIVE, Dirt Entertainment, Muse Africa and Jameson. Early bird tickets are on sale now for 20GHS. Follow the link below to purchase yours.

https://efie.co/as1